A few companies experimented with this model in the early 2010s, Queremos! In Brazil (https://techcrunch.com/2012/09/10/queremos/ ), Songkick had their own product with Songkick Detour, then there is Alive in Japan (which I own). As far as I know no one managed to get the model to work in a big way and everyone had to abandon it or pivot to make decent revenues (including me).
I really enjoyed my crowdfunding platform journey, however having now toured hundreds of bands I can see flaws in the business model that I was naive to as a first time founder with limited experience of touring bands.
I do respect what you are trying to do and getting bands playing in the right places is a valuable problem to solve. However I don't think crowdfunding/crowdsourcing is the solution. I'd be happy to share my personal experiences working in this sector if it might be of help.
I really liked the look of your website.
A few companies experimented with this model in the early 2010s, Queremos! In Brazil (https://techcrunch.com/2012/09/10/queremos/ ), Songkick had their own product with Songkick Detour, then there is Alive in Japan (which I own). As far as I know no one managed to get the model to work in a big way and everyone had to abandon it or pivot to make decent revenues (including me).
I really enjoyed my crowdfunding platform journey, however having now toured hundreds of bands I can see flaws in the business model that I was naive to as a first time founder with limited experience of touring bands.
I do respect what you are trying to do and getting bands playing in the right places is a valuable problem to solve. However I don't think crowdfunding/crowdsourcing is the solution. I'd be happy to share my personal experiences working in this sector if it might be of help.
Best wishes