Something that for many years I've seen as "Ur-Fascist" in our culture is the popularity and continuous production of relatively vapid superhero movies. The majority of these are power fantasy porn, and like porn the only focus is really on the fetish and the orgasm. There's little characterization and little plot, and the villains are always cast as either pure evil or as a straw man representation of some other point of view.
The rough cop and action movies of the 1980s and 1990s are far more subtile and intelligent than most superhero flicks. Watch Die Hard for example. It has actual characterization. You get at least a bit of a sense for who the characters are, their motives, and their flaws. I'm not saying it's high art but compared to the average comic book flick it's quite deep. The hero is a divorced cop who has obviously thrown himself into his work to numb his emotional pain. The villain comes off like a narcissist whose crimes are motivated by a burning desire to become the moneyed aristocrat he believes himself entitled to be. Throughout the film you can see the hero at least indirectly confront some of his personal demons while the villain's narcissism drives him further into depravity and in the end is his ruin.
I wonder if the rise of fascist thinking of the 4chan /pol variety among younger people can in part be explained by their entire generation having been raised on a steady diet of comic book flicks and of course similar "fanservice" Anime.
The rough cop and action movies of the 1980s and 1990s are far more subtile and intelligent than most superhero flicks. Watch Die Hard for example. It has actual characterization. You get at least a bit of a sense for who the characters are, their motives, and their flaws. I'm not saying it's high art but compared to the average comic book flick it's quite deep. The hero is a divorced cop who has obviously thrown himself into his work to numb his emotional pain. The villain comes off like a narcissist whose crimes are motivated by a burning desire to become the moneyed aristocrat he believes himself entitled to be. Throughout the film you can see the hero at least indirectly confront some of his personal demons while the villain's narcissism drives him further into depravity and in the end is his ruin.
I wonder if the rise of fascist thinking of the 4chan /pol variety among younger people can in part be explained by their entire generation having been raised on a steady diet of comic book flicks and of course similar "fanservice" Anime.