Yeah, this is spot on. The plethora of great VSTs out there makes it hard as an artist to choose a tool. You can easily get stuck in ‘preset surfing’ mode where you quickly realize you’ve spent an hour not really making anything.
For me it was important to acknowledge this and help myself set boundaries to how I spend my time producing. I also found myself gravitating toward vintage gear because of its limits and how it enforces decision making (e.g. printing synths directly in audio, which was a game changer in terms of process)
For me it was important to acknowledge this and help myself set boundaries to how I spend my time producing. I also found myself gravitating toward vintage gear because of its limits and how it enforces decision making (e.g. printing synths directly in audio, which was a game changer in terms of process)