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Comment by adambmedia

I often think about Arthur Rubenstein, the phenom mid-century pianist, for whom a lot has been written about his mission in early life to "practice as little as possible." There's a lot of hyped up romanticism in these quotes and anyone who plays at his level has spent a lifetime playing piano, period. Regardless, his guidance about spontaneity, creativity, and the relationship to practicing too much, which I equate to the current discussion on overworking, is highly interesting.

"I was born very, very lazy and I don't always practice very long, but I must say, in my defense, that it is not so good, in a musical way, to overpractice. When you do, the music seems to come out of your pocket. If you play with a feeling of 'Oh, I know this,' you play without that little drop of fresh blood that is necessary—and the audience feels it." Of his own practice methods, he said, "At every concert I leave a lot to the moment. I must have the unexpected, the unforeseen. I want to risk, to dare. I want to be surprised by what comes out. I want to enjoy it more than the audience. That way the music can bloom anew."

Not all work benefits from risk, the drop of blood, the unexpected, that are all baked into the right amount of effort, but a great deal of valuable and innovative work does.

parent adambmedia 9 years ago

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